Causes and Ways to Reduce Fatal Accidents

Accidents involving fatalities during the festive seasons has increased drastically. We should take this as a serious matter as it brings a lot of negative impacts to the road users and people around us. Based on a survey which has been conducted recently, the number of road accidents in 2013 has increased about 25 percent compared to last few years. Authorities believe that the number of death toll in road accidents will increase continuously throughout the year if there is no strict rules are imposed.There are many reasons why there has been an increase in fatal accidents over the year. Firstly, drunk drinking is the main reason that causes road accidents. Intake of certain amount of alcoholic drinks will make one feel unconscious and unwell. When he or she lapses into unconsciousness, he or she might not be able to drive with a sober mind. This is because their mental power is unable to function well at that moment and they tend to lose their senses as well . Besides that, neglige nce and reckless driving also cause fatal accidents.Reckless rivers usually like to break rules and even tend to challenge the police officers. Some the drivers like to tail along ambulances during emergency cases when the siren is on. Those are the irresponsible road users that should be suspended or fined . On the other hand, talking or messaging on the mobile phones while during driving is Jeopardizing your own life and the lives of your loved ones. People like to use their phones to chat incessantly and keep looking at their phones every second. Sometimes, we should limit oneself not overuse it especially when you are driving.Road users should always be caution and pay full attention while behind the wheels. In addition, exhaustion and tiredness can cause road tragedy. When a person travels long distance to reach the respective destinations, they will feel drowsy and exhausted which make them to lose focus on driving. Some of them even fall asleep behind the steering wheel. In o rder to avoid any untoward tragedy, one should get enough rest before starting your Jorney. Also, do not take any medicine while driving on the road. There are many ways to overcome the fatal incidents.Government should remind all road users to always adhere to speed limit and not to beat the red light. Observation of traffic rules and regulations will ensure a safe Journey. Government should also launch some campaigns in order to develop awareness among the motorists. In a nutshell, all parties should play their parts efficiently in order to reduce the road accidents. A I Malaysian drivers are urged to practice courtesy and consideration at all times while on the road because millions of vehicles will be sharing the same road. Remember, better to be safe than sorry.

The Cult of Domesticity

The Cult of Domesticity In the middle of the 19th century, the movement known as the Cult of Domesticity, or True Womanhood, took hold in the United States and Britain. It was a philosophy in which womens value was based upon their ability to stay home and perform their duties as wives and mothers, and their willingness to abide by a series of very specific virtues. Did You Know? The cult of domesticity, or true womanhood, was an idealized set of societal standards that became popular with middle- and upper-class women in the late 19th century.Piety, purity, submissiveness, and domesticity were the mark of femininity during this period.The early cult of domesticity led to the development of the womens movement, in direct response to the standards set upon women by society. True Womanhood in the 19th Century Although there was not a formal movement that was actually entitled Cult of Domesticity, scholars have come to use this term to refer to the social environment in which many middle- and upper-class 19th century women lived. The term itself was coined in the 1960s by historian Barbara Welter, who also referred to it by its contemporary name, True Womanhood. Victorian family life revolved around domestic pursuits. ilbusca / Getty Images In this social system, gender ideologies of the time assigned women the role of the moral protector of home and family life; a womans value was intrinsically tied to her success in domestic pursuits such as keeping a clean house, raising pious children, and being submissive and obedient to her husband. The idea that this was part of womens natural place in the family dynamic was emphasized by womens magazines, religious literature, and gift books, all of which stressed that the way to true femininity was by adhering to a series of specific virtues as guidelines: piety, purity, submissiveness, and domesticity. The Virtues of Domestic Life Religion, or piety, was the foundation upon which a womans role in the cult of domesticity was built; women were seen as naturally more pious than men. It was believed that it was up to women to present the spiritual cornerstone of family life; she was to be strong in her faith, and raise her children with a strong Biblical education. She was to guide her husband and offspring in morality and virtue, and if they were to slip, the onus of responsibility fell to the wife or mother. More importantly, religion was a pursuit that could be followed from home, permitting women to stay out of the public sphere. Women were warned not to let intellectual pursuits, such as reading novels or newspapers, lead them astray from the word of God. Purity was a womans greatest virtue in the 19th century; the absence of it tarnished her as a fallen women, and marked her as unworthy of the comforts of good society. Virginity was to be protected at all costs, and death was considered preferable to the loss of virtue. The gift of a womans chastity to her husband was something to be treasured on their wedding night; sex was to be endured as part of the sacred bond of marriage. By contrast, if women were expected to be pure and modest, men were expected to try to challenge that virtue at every possible opportunity. It was up to women to keep amorous suitors at bay. A true woman was submissive to her husband, to whom she was completely dedicated. Because staying home with the family was an integral part of the cult of domesticity, women were wholly financially dependent upon their spouses. It was up to him to make the decisions for the entire household, while she remained passive and supportive. After all, God had made men superior, so it stood to reason that they were in charge. Young ladies were advised to respect their husbands wishes, even if they didnt agree with his opinions. Finally, domesticity was the end goal of the cult of true womanhood. A woman who considered working outside the home was seen as a unfeminine and unnatural. Ladylike activities such as needlework and cooking were acceptable forms of labor, as long as it was done in ones own home and not for employment. Reading was frowned upon, other than religious texts, because it distracted women from important things like caring for their children and spouse. They provided comfort and happiness, often at the expense of their own silent suffering, so that their menfolk would have a pleasant home to return to each day; if a man strayed and wanted to be elsewhere, it was the fault of his wife for not meeting his domestic needs. Although all women were expected to abide by the standards of true womanhood, in reality, it was predominantly white, Protestant, upper-class women who did so. Thanks to social prejudices of the period, women of color, working women, immigrants, and those who were lower on the socioeconomic ladder were excluded from the chance to ever be true paragons of domestic virtue. The Womens Movement in Response to Cult of Domesticity Victorian woman unpacking her basket in the kitchen.   Whitemay / DigitalVision Vectors / Getty Images Some historians have argued that working-class women who were employed as servants, thus taking them into the private, domestic sphere, did in fact contribute to the cult of domesticity, unlike their peers who worked in factories or other public places. Teresa Valdez says, [W]orking-class women were subsequently choosing to remain  in  the private realm. The same study shows that the majority of servants were young single women. This indicates that these women were preparing for their lives as wives and mothers by supporting their father’s household through work in a private home. Regardless, this social construct of true womanhood led directly to the development of feminism, as the womens movement formed in direct response to the strict standards set out by the cult of domesticity. White women who had to work found themselves excluded from the concept of true womanhood, and so consciously rejected its guidelines. Women of color, both enslaved and free, did not have the luxury of the protections afforded to true women, no matter how pious or pure they might have been. In 1848, the first womens movement convention was held in Seneca Falls, NY, and many women felt that it was time for them to begin fighting for equal rights. During the second half of the 19th century, when the right to vote was extended to all white men, women who advocated for suffrage were seen as unfeminine and unnatural. By the time the Progressive Era began, around 1890, women were vocally advocating for the right to pursue educational, professional, and intellectual pursuits of their own, outside of the sphere of home and family. This ideal that emerged of the New Woman was a direct contrast to the cult of domesticity, and women began taking on jobs in the public sector, smoking cigarettes, using birth control methods, and making their own financial decisions. In 1920, women finally gained the right to vote. In the years following World War II, there was a slight resurgence of the cult of domesticity, as Americans in particular sought a return to the idealized family life that theyd known before the war years. Popular films and television shows portrayed women as the foundation of the home, domestic life, and childrearing. However, because many women not only maintained their family life but also held down jobs, there was once again resistance. Soon, feminism reappeared, in what historians call the second wave, and women began fighting in earnest for equality once again, in direct response to the oppressive standards laid upon them by the cult of domesticity. Sources Lavender, Catherine. â€Å"Ê ºNotes on The Cult of Domesticity and True Womanhood.†Ã‚  The College of Staten Island/CUNY, 1998, csivc.csi.cuny.edu/history/files/lavender/386/truewoman.pdf. Prepared for Students in HST 386: Women in the City, Department of HistoryValdez, Teresa. â€Å"The British Working Class Participation In The Cult Of Domesticity.†Ã‚  StMU History Media - Featuring Historical Research, Writing, and Media at St. Marys University, 26 Mar. 2019, stmuhistorymedia.org/the-british-working-class-participation-in-the-cult-of-domesticity/.Welter, Barbara. â€Å"The Cult of True Womanhood: 1820-1860.†Ã‚  American Quarterly, The Johns Hopkins University Press, www.csun.edu/~sa54649/355/Womanhood.pdf. Vol. 18, No. 2, Part 1 (Summer, 1966), pp. 151-174

BUSINESS MODEL INTERROGATION & DEVELOPMENT Essay

BUSINESS MODEL INTERROGATION & DEVELOPMENT - Essay Example In other words, the company is not limited to selling of products nor is specifically related to the sale of products instead it carries out both buying and selling of goods. Tesco’s business model is composed of four fundamental activities: buy, insight, sell and move and these four activities collectively work to attain the objective of â€Å"we make what matters better, together† (Tesco Annual Report, 2014). At the same time, the business model encompasses other layers which consist of other strategic values and objectives which collectively make this entire business model work for the co Tesco’s business model is adequate to satisfy the strategic long term business objectives besides serving the short term objectives. For example, the model is composed of four core operations which highlight four different business areas which do not share similar activities instead they have different operational and strategic significance for the company. More clearly, Tesco’s business operations start from the purchase activity in which the company engages with the suppliers of different food products. In this activity, the company looks putting substantial amount of concentration and energy as quality of food products largely relies on the fresh food products which are mainly reflected through the market goodwill of suppliers and producers as well. In this regard, it is important to mention that this purchase activity is of paramount importance for the company as it has strategic implications and effects of the market perception of Tesco. For example, if the compan y provides low quality food items and customers regularly complain about various quality issues, this would put negative effect on the perception of the Tesco and if the negative perception continue to stay longer, the company would face serious strategic issues including drop in sales, drop in the volume of sales and other relevant

Scientific inquiry Essay Example | Topics and Well Written Essays - 500 words

Scientific inquiry - Essay Example ccording to National Standards for Science Education (NRC, 1996, p.23), scientists learn about the natural world in diverse methods on the basis of evidences derived from their work and they propose explanations for the study. The scientific inquiry includes some core elements such as ‘making observations, posting questions, examining information sources, planning investigations, analysis and interpretation of data, proposing answers, explanations and predictions, and communicating results’ (NRC, 1996, p.23. Cited in Simonson & Schlosser, p.2). Thus science and scientific inquiry are differentiated in various respects; the later tries to acquire knowledge about natural world through an assortment of observations and investigations whereas the knowledge obtained through the scientific inquiry constitutes science. I/O psychology refers to Industrial and Organizational psychology which is also called work psychology or organizational psychology or talent assessment. In the opinion of Spector (2003: 6) ‘the application of psychological principles to organizational settings’ and people at work in the organization is called Industrial and Organizational psychology. The primary objective of this branch of psychology is to preserve the ‘health and well-being’ of employees and thereby it helps the organization to ‘get the most from their employees or human resources’ (Spector. Cited in Furnham, 2005, p.2). Even though science and scientific inquiry are the fundamental elements of I/O psychology; scientific inquiry benefits more than science in the field of I/O psychology. In today’s complex business structure, priority is given to HRM strategies and thus organizational psychologists mainly concentrate on behavioral science and psychology. They analyze in dividual’s behavior through a sequence of processes such as close observations, interviews, investigations and interpretations. Organizational psychologists also make use of science for the thorough

Imagine yourself in a different century and describe an average day in Assignment

Imagine yourself in a different century and describe an average day in your life - Assignment Example The handle can know how much force is required to lift an object. This was fascinating! As time moved by, the lab became my new home; I loved every independent project there. How I wish I could get access to such stuffs often. No single day passes without me passing by the game park, to watch the remaining species of birds and enjoy the relaxing sound of the three waterfalls. Can there be robotic birds, waterfalls, and trees? I bet not. And maybe never! While appreciating technological prowess, I have developed compassion with nature! I want to protect it because most robotic machines rely on command language. They can end up destroying naturally existing creatures. This must have been a good observation for today I guess! Who really thinks in such a direction? As I head home in the evening, I pass by the vendor machine to pick a cold drink! I sit quietly on a bench nearby to enjoy my drink. Do I love children again? How I wish I could join them in riding their robotic toy vehicles! Unfortunately I cannot because I am past that age! My eyes are left to admire and enjoy their

How Does Social Networking Affect Us Essay Example | Topics and Well Written Essays - 1000 words

How Does Social Networking Affect Us - Essay Example The analysis will seek to examine the way in which social media and the paradigm shift of mobile computing and texting have helped to provide a new representation of English language. In such a way both of these unique aspects will be discussed with regards to how they impact upon society. As with so many elements of life and the way in which the individual integrates with society, the most important aspect which will be discussed with regards to the following two elements is ultimately a question of balance and the means by which the individual is able to integrate both with the world of social networking and the world of real personal communication; both the world of abbreviated English and the world of standard English.According to the essay  before delving into the extent to which social media can be beneficial for the professional, Goldsborough spends a great deal of time discussing many of the aspects of social media within the younger generation that give it a negative repre sentation. In such a way, rather than whitewashing the reputation of social media and presenting the reader with an understanding that it is applicable and useful in each and every situation, the author delves into discussing the ways in which social networking sites such as Twitter, Facebook, and others are ultimately abused by means of posting a seemingly endless stream of meaningless comments and perpetual updates of the my new shift of life that many of its participants feel so necessary to publish. (Goldsborough 251). The generational divide which was briefly discussed within the introduction comes into play within Goldsborough’s piece as he seeks to integrate an understanding of the fact that the older generation is almost categorically opposed and ultimately reticent to adopt such a new technology and integrate with some of the benefits that he can provide. However, as a means of seeking to evoke a level of participation from those individuals that remain and thence wi th regards to social networking, Goldsborough relates many of the positive ways in which social media can impact upon business creation, the small town feel of friendships and connections, and even the positive benefits of being able to spend downtime getting acquainted with new people and building a greater network of potential clients and friends. In this way, Goldsborough discusses the positive benefits that social networking can have upon the life of the professional while at the same time seeking to minimize the negative implications social networking has oftentimes been set famous for A secondary way in which social networking and the growth of technology within the past several years can impact upon individuals and society at large is with regards to the way in which language is ultimately being changed as a result of such a practice. John Humphrys’ piece, â€Å"I H8 TXT MSGS: How Texting Is Wrecking Our Language†, the author invokes the reader will with the und erstanding that although language has perennially changed, texting and the utilization of abbreviated forms of speech so often referenced in the social networking world of Twitter and Facebook is ultimately

The Impacts Of Globalisation on Theatre

The Impacts Of Globalisation on Theatre Globalisation refers to the increasing interaction and integration of people socially, economically, and culturally through increasing interconnectedness, in which, theatres are also affected by. Performances originally in English are now performed in multiple languages, allowing other cultures around the world to experience watching similar theatrical performances. Singapore, a globalised community, consists of much cultural variety. Due to the immersed cultural diversity, Singapore would like to expand their theatrical performances, appealing to a broader audience of different cultures and eventually become the Broadway of the East. It is the contention of this essay to analyse the impacts of globalisation on theatres via the examination of McTheatres, modernism, interculturalism, and the impact of Western theatre culture on Singapores theatre culture in accordance to theatre design. In the McTheatre franchise, the workers have little or no control over their conditions of work; all the creative decisions were taken years ago and are locked down. The choreography is fixed, and the movements are largely determined by the automated sets and standardized lighting designs, which means that any deviation from the pattern risks injury or singing in darkness (Rebellato 2009: 44). The concept of McTheatre productions are methods of global imperialism. The pro side to this can be explained when the concept was founded by Cameron Mackintosh during the 1970s when he began working in a British theatre. After experiencing a shabby imitation of a metropolitan original, Mackintosh wanted audiences anywhere in the world to have the same high-quality experience instead of a cheap reproduction. However, because of standardization, the virtues of theatre are depreciated, such as the liveliness, immediacy, and the uniqueness of each performance. In a show such as The Lion King, the costumes are the stars, and the actors merely their operators. When we think of the mega musicals, we often think of the brand images: the big eyes orphan, a cats eye, a combined Japanese pictograph/helicopter. The star performers are never part of the brand image, because in McTheatre even the biggest star is replaceable (Rebellato 2009: 45). Cities such as Toronto, Las Vegas, Basle, and Denve r hold theatres that have been built specifically for these mega musicals. However, they are not built well acoustically, considering all mega musicals are miked performances. Thus once that particular mega musical performance has moved on, the theatre is limited to performances requiring well built acoustics. Musical franchises are successful to a certain extent, but they are limited to an English speaking audience. Musicals such as The Lion King and Tarzan however, even though they are global musical theatre hits, are performed in multiple languages in order to appeal to a larger range of audience members. Cats have been translated into 10 different languages such as Japanese, German, and French and The Lion King will be making its first Spanish debut in Madrid on October 21st of 2011 (Cats the Musical 2011; Gans 2011). Aside from mega musicals, past theatrical performances such as Shakespearean plays are currently performed around the world. Variations of Shakespeares plays are also created to appeal towards the audience of the 21st century, for example, The Complete Works of Shakespeare (Abridged) is an interactive and humorous parody of Shakespeares plays where improvisation plays a huge roll. Hence, every performance is never the same and is unique. While older theatre acts are adapting to a more modern perspective, new performances are created to relate towards the 21st century audience. The theatre might be thought to contribute to the globalization of politics through plays that critically represent the workings of globalization (Rebellato 2009: 9). The musical Avenue Q, is ranked 21st of longest running shows in Broadway history with 2,534 performances (Avenue Q 2009). The musical, ironically portrayed as an adult version of Sesame Street, isnt a globalized musical because it has been performed around the world, but also because the musical itself is about globalization. Considering its relevance towards the 21st century audience, it is able to connect with the majority of the world population. The puppets in the musical goes through stereotypical problems and activities people go through every day, such as, the relation towards internet within their song the internet is for porn, pokes fun at how the modern day population m akes use of the internet, though not many may admit or embrace the new mentality. Culture and globalisation goes hand in hand with each other, and theatres are no exception from the interculturalism. Defined by nationalists of the Canadian province of Quebec, interculturalism is the philosophy of exchanges between cultural groups within a society. Theatres in particular have been able to share multiple cultures with the world for centuries. This alone is a huge part on globalisation because different parts of the world are able to experience different cultures through the form of theatrical performances, whether it would be through dance, acting, and music. I consider theatre to refer to all cultural forms in which performers and active or passive participant-audiences coexist in the same space for a set time (Knowles 2010: 3). During the Nara period, the Japanese, Chinese and Koreans exchanged performance traditions with each other, hence the bukagu court dance and gugaku, the Buddhist processional dance play, was eventually integrated with the Japanese culture. Western cultures did not intermix with the Asian cultures until American and European invasions in the late 19th century. Ric Knowles makes this point in his book Theatre Interculturalism: Beginning at the turn of the twentieth century and lasting almost a hundred years, the shingeki (new drama) movement saw a turn in Japan to Shakespeare, Ibsen, Chekhov, Stanislavski, and the performance styles of western naturalism and spoken drama. In the first decade of the twentieth century, in the wake of Chinas defeat in the Sino-Japanese war of 1894-5, a similar movement developed in China, largely through the conscious efforts of Li Xishuang and Tokyos Spring Willow society, and visits to the society by Chinese students who produced the first huaju (spoken drama) (Knowles 2010: 8-9). Much like the plays from Shakespeare, as mentioned before, it has come to a point where we have the ability to share knowledge easily around the world, and theatrical performances are also able to be shared with equal amount of ease. One of the most well known types of performances known to globalise are circuses. It is in their nature to be mobile and move from place to place entertaining audiences. This leads to globalization through culture, the interconnection of world cultures, perhaps even the development of a world culture' (Rebellato 2010: 5). The most world renowned circus to this day would be Cirque du Soleil. Originally named Les Échassiers, it was founded by two former street performers in 1984 in Baie-Saint-Paul. It is now a Canadian entertainment company based in Montrà ©al, Quebec, self-described as a dramatic mix of circus arts and street entertainment (Cirque du Soleil 2010). Cirque du Soleil has a wide variety of performances, all of which are an integration of circus styles from around the world with its own theme and storyline. They attract audiences through continuous live music, which allows the performance to be cross cultural because one doesnt have to understand the language in order to enjoy the performance, hence it appeals to everyone and they are able to expand to different cultures around the world. Cirque du Soleil does not only travel around the world, but they have also left permanent set ups in different parts of the world. Las Vegas, United States, has the most Cirque du Soleil performances in one area. Performances such as KÀ, LOVE, Mystà ¨re, O, Viva ELVIS, and Zumanity are performed to many new audiences because its in an area of visiting tourists from all around the world. ZED Cirque du Soleil is stationed in a theatre build specifically for this performance at Disney Resort in Tokyo, Japan, with seven million people watching this spectacular performance every year. Cirque du Soleil has been able to create and show many different performances, but it couldnt have been done without more than 600 of their performers. (Cirque du Soleil Inc. 2009) Hence, the interconnectedness of culture is shared amongst performers and audience alike all around the world. Though most of the casts of Cirque du Soleil are trained for this specialized art, there are also performers who were past Olympic participants from all around the world. Zoltan Supola, a gold medal gymnast who competed in the Olympic three times, retired in the year 2000 after the Sydney Games. He landed a job with Cirque du Soleil and became a part of the gravity-defying troupe of performers, which now incorporates a total of 17 former Olympians. Another example is gymnast, Paul Bowler, who performs in Mystà ¨re at the Treasure Island hotel in Las Vegas after failing to make it with the British Olympic team in 1996 (Martinez 2011). Performances themselves arent the only ones affected by globalisation, but the people who work within those performances as well. It is without a doubt that Cirque du Soleil is one of the most globalised theatrical performances to have spread from North America all the way to Asia. Singapore is known to be a global community with multiple cultures integrated in one city, and because of this, different kinds of theatrical acts dedicated to the different cultures and all cultures are continuously performed. Singapore is a perfect example of interculturalism in general and for theatres. With the amount of international theatrical performances arriving every few months and with the amount of audiences watching these performances, it is clear that Singapore has embraced the idea of interculturalism within their theatres. This is a country in which Western and Asian performances are accepted together and appeal to a large portion of the public, hence Singapores wish to be a global pin point, the Broadway of the East so to speak. As Kenneth Lyen states: Yes, Singapore can indeed be the Broadway of the East. We have several unique attributes. Firstly, there is a wealth of stories waiting to be told in the genre of musical theatre. We also have a fascinating variety of Asian music, with different rhythms and different instruments. Our talent pool is immense, and largely untapped. We have not reached the stage where musical theatre prohibitively expensive to stage (Lyen 2010). Aside from Singapore bringing in theatrical performances from other parts of the world, Singapore themselves are trying to globalise their own local theatre productions. It is obvious how much Western performances have influenced the local productions. By trying to maintain a unique theme to Singapore, the structure is very much of the western style. A good example of this is the musical, Forbidden City. Its Singapores most successful musical first commissioned for the opening of the Esplanade, now in its third run, greeted with interest by American investors whod like to adapt it for Broadway (Yi-Sheng 2010). By exploring the fusion of Western and Eastern styles, there is a possibility for Singaporean theatrical productions to become worldwide and achieve globalisation with their own culture and local acts. Theatre of the 21st century is affected by social standing and social status of the community, hence the design of theatres affect the peoples want and reason to attend a performance based on prestige. Theatre of Ancient Greece was an open air, semi-circular layout with only the use of a skene and costumes for visual distinction between characters and scenery (The Columbia Encyclopedia, Sixth Edition 2008). It was a place for the gathering of people to enjoy a performance by being taken to another dimension. The use of lighting was available only through natural lighting; hence performances were casually held during the daytime. The globalised theatre design of the 21st century however, is incorporated on the theatre experience influenced by the modern American stage design through the use of lighting, props, and moveable stage parts. With the discovery of lighting, theatres became enclosed and performances became a nightly event, which is gives off a more formal experience. Now it i s a place not only for people to gather and enjoy a performance, but also a place of prestige. Theatres in general have become a social marker. The concept of an exposed theatre within the new proposed design of the Victoria Theatre situated in Singapore is aimed to attract audiences through the act of interaction or communication with the general public and raise awareness of theatrical performances to help Singapore reach its goal of being the Broadway of the East. The use of an open-air theatre and an enclosed theatre together is to create two different experiences much like the casual experience of Ancient Greece and the more formal experience of the 21st century. With todays technology and interconnectedness, theatres has become a huge part of globalisation through the sharing of performances and performers around the world not only through the use of McTheatres, but also through the creation of fused cultural performances in order to reach out to a broader audience. Through Western influence, the design of theatres has created a social status through the theatre experience. Singapore, being a social marker and huge globalised community, has attracted theatrical performances from around the world in order to share the multiple cultures with its local audience, to become the next Broadway of the East, and to create their own theatrical performances as well, such as Forbidden City.