BUSINESS MODEL INTERROGATION & DEVELOPMENT Essay

BUSINESS MODEL INTERROGATION & DEVELOPMENT - Essay Example In other words, the company is not limited to selling of products nor is specifically related to the sale of products instead it carries out both buying and selling of goods. Tesco’s business model is composed of four fundamental activities: buy, insight, sell and move and these four activities collectively work to attain the objective of â€Å"we make what matters better, together† (Tesco Annual Report, 2014). At the same time, the business model encompasses other layers which consist of other strategic values and objectives which collectively make this entire business model work for the co Tesco’s business model is adequate to satisfy the strategic long term business objectives besides serving the short term objectives. For example, the model is composed of four core operations which highlight four different business areas which do not share similar activities instead they have different operational and strategic significance for the company. More clearly, Tesco’s business operations start from the purchase activity in which the company engages with the suppliers of different food products. In this activity, the company looks putting substantial amount of concentration and energy as quality of food products largely relies on the fresh food products which are mainly reflected through the market goodwill of suppliers and producers as well. In this regard, it is important to mention that this purchase activity is of paramount importance for the company as it has strategic implications and effects of the market perception of Tesco. For example, if the compan y provides low quality food items and customers regularly complain about various quality issues, this would put negative effect on the perception of the Tesco and if the negative perception continue to stay longer, the company would face serious strategic issues including drop in sales, drop in the volume of sales and other relevant

Scientific inquiry Essay Example | Topics and Well Written Essays - 500 words

Scientific inquiry - Essay Example ccording to National Standards for Science Education (NRC, 1996, p.23), scientists learn about the natural world in diverse methods on the basis of evidences derived from their work and they propose explanations for the study. The scientific inquiry includes some core elements such as ‘making observations, posting questions, examining information sources, planning investigations, analysis and interpretation of data, proposing answers, explanations and predictions, and communicating results’ (NRC, 1996, p.23. Cited in Simonson & Schlosser, p.2). Thus science and scientific inquiry are differentiated in various respects; the later tries to acquire knowledge about natural world through an assortment of observations and investigations whereas the knowledge obtained through the scientific inquiry constitutes science. I/O psychology refers to Industrial and Organizational psychology which is also called work psychology or organizational psychology or talent assessment. In the opinion of Spector (2003: 6) ‘the application of psychological principles to organizational settings’ and people at work in the organization is called Industrial and Organizational psychology. The primary objective of this branch of psychology is to preserve the ‘health and well-being’ of employees and thereby it helps the organization to ‘get the most from their employees or human resources’ (Spector. Cited in Furnham, 2005, p.2). Even though science and scientific inquiry are the fundamental elements of I/O psychology; scientific inquiry benefits more than science in the field of I/O psychology. In today’s complex business structure, priority is given to HRM strategies and thus organizational psychologists mainly concentrate on behavioral science and psychology. They analyze in dividual’s behavior through a sequence of processes such as close observations, interviews, investigations and interpretations. Organizational psychologists also make use of science for the thorough

Imagine yourself in a different century and describe an average day in Assignment

Imagine yourself in a different century and describe an average day in your life - Assignment Example The handle can know how much force is required to lift an object. This was fascinating! As time moved by, the lab became my new home; I loved every independent project there. How I wish I could get access to such stuffs often. No single day passes without me passing by the game park, to watch the remaining species of birds and enjoy the relaxing sound of the three waterfalls. Can there be robotic birds, waterfalls, and trees? I bet not. And maybe never! While appreciating technological prowess, I have developed compassion with nature! I want to protect it because most robotic machines rely on command language. They can end up destroying naturally existing creatures. This must have been a good observation for today I guess! Who really thinks in such a direction? As I head home in the evening, I pass by the vendor machine to pick a cold drink! I sit quietly on a bench nearby to enjoy my drink. Do I love children again? How I wish I could join them in riding their robotic toy vehicles! Unfortunately I cannot because I am past that age! My eyes are left to admire and enjoy their

How Does Social Networking Affect Us Essay Example | Topics and Well Written Essays - 1000 words

How Does Social Networking Affect Us - Essay Example The analysis will seek to examine the way in which social media and the paradigm shift of mobile computing and texting have helped to provide a new representation of English language. In such a way both of these unique aspects will be discussed with regards to how they impact upon society. As with so many elements of life and the way in which the individual integrates with society, the most important aspect which will be discussed with regards to the following two elements is ultimately a question of balance and the means by which the individual is able to integrate both with the world of social networking and the world of real personal communication; both the world of abbreviated English and the world of standard English.According to the essay  before delving into the extent to which social media can be beneficial for the professional, Goldsborough spends a great deal of time discussing many of the aspects of social media within the younger generation that give it a negative repre sentation. In such a way, rather than whitewashing the reputation of social media and presenting the reader with an understanding that it is applicable and useful in each and every situation, the author delves into discussing the ways in which social networking sites such as Twitter, Facebook, and others are ultimately abused by means of posting a seemingly endless stream of meaningless comments and perpetual updates of the my new shift of life that many of its participants feel so necessary to publish. (Goldsborough 251). The generational divide which was briefly discussed within the introduction comes into play within Goldsborough’s piece as he seeks to integrate an understanding of the fact that the older generation is almost categorically opposed and ultimately reticent to adopt such a new technology and integrate with some of the benefits that he can provide. However, as a means of seeking to evoke a level of participation from those individuals that remain and thence wi th regards to social networking, Goldsborough relates many of the positive ways in which social media can impact upon business creation, the small town feel of friendships and connections, and even the positive benefits of being able to spend downtime getting acquainted with new people and building a greater network of potential clients and friends. In this way, Goldsborough discusses the positive benefits that social networking can have upon the life of the professional while at the same time seeking to minimize the negative implications social networking has oftentimes been set famous for A secondary way in which social networking and the growth of technology within the past several years can impact upon individuals and society at large is with regards to the way in which language is ultimately being changed as a result of such a practice. John Humphrys’ piece, â€Å"I H8 TXT MSGS: How Texting Is Wrecking Our Language†, the author invokes the reader will with the und erstanding that although language has perennially changed, texting and the utilization of abbreviated forms of speech so often referenced in the social networking world of Twitter and Facebook is ultimately

The Impacts Of Globalisation on Theatre

The Impacts Of Globalisation on Theatre Globalisation refers to the increasing interaction and integration of people socially, economically, and culturally through increasing interconnectedness, in which, theatres are also affected by. Performances originally in English are now performed in multiple languages, allowing other cultures around the world to experience watching similar theatrical performances. Singapore, a globalised community, consists of much cultural variety. Due to the immersed cultural diversity, Singapore would like to expand their theatrical performances, appealing to a broader audience of different cultures and eventually become the Broadway of the East. It is the contention of this essay to analyse the impacts of globalisation on theatres via the examination of McTheatres, modernism, interculturalism, and the impact of Western theatre culture on Singapores theatre culture in accordance to theatre design. In the McTheatre franchise, the workers have little or no control over their conditions of work; all the creative decisions were taken years ago and are locked down. The choreography is fixed, and the movements are largely determined by the automated sets and standardized lighting designs, which means that any deviation from the pattern risks injury or singing in darkness (Rebellato 2009: 44). The concept of McTheatre productions are methods of global imperialism. The pro side to this can be explained when the concept was founded by Cameron Mackintosh during the 1970s when he began working in a British theatre. After experiencing a shabby imitation of a metropolitan original, Mackintosh wanted audiences anywhere in the world to have the same high-quality experience instead of a cheap reproduction. However, because of standardization, the virtues of theatre are depreciated, such as the liveliness, immediacy, and the uniqueness of each performance. In a show such as The Lion King, the costumes are the stars, and the actors merely their operators. When we think of the mega musicals, we often think of the brand images: the big eyes orphan, a cats eye, a combined Japanese pictograph/helicopter. The star performers are never part of the brand image, because in McTheatre even the biggest star is replaceable (Rebellato 2009: 45). Cities such as Toronto, Las Vegas, Basle, and Denve r hold theatres that have been built specifically for these mega musicals. However, they are not built well acoustically, considering all mega musicals are miked performances. Thus once that particular mega musical performance has moved on, the theatre is limited to performances requiring well built acoustics. Musical franchises are successful to a certain extent, but they are limited to an English speaking audience. Musicals such as The Lion King and Tarzan however, even though they are global musical theatre hits, are performed in multiple languages in order to appeal to a larger range of audience members. Cats have been translated into 10 different languages such as Japanese, German, and French and The Lion King will be making its first Spanish debut in Madrid on October 21st of 2011 (Cats the Musical 2011; Gans 2011). Aside from mega musicals, past theatrical performances such as Shakespearean plays are currently performed around the world. Variations of Shakespeares plays are also created to appeal towards the audience of the 21st century, for example, The Complete Works of Shakespeare (Abridged) is an interactive and humorous parody of Shakespeares plays where improvisation plays a huge roll. Hence, every performance is never the same and is unique. While older theatre acts are adapting to a more modern perspective, new performances are created to relate towards the 21st century audience. The theatre might be thought to contribute to the globalization of politics through plays that critically represent the workings of globalization (Rebellato 2009: 9). The musical Avenue Q, is ranked 21st of longest running shows in Broadway history with 2,534 performances (Avenue Q 2009). The musical, ironically portrayed as an adult version of Sesame Street, isnt a globalized musical because it has been performed around the world, but also because the musical itself is about globalization. Considering its relevance towards the 21st century audience, it is able to connect with the majority of the world population. The puppets in the musical goes through stereotypical problems and activities people go through every day, such as, the relation towards internet within their song the internet is for porn, pokes fun at how the modern day population m akes use of the internet, though not many may admit or embrace the new mentality. Culture and globalisation goes hand in hand with each other, and theatres are no exception from the interculturalism. Defined by nationalists of the Canadian province of Quebec, interculturalism is the philosophy of exchanges between cultural groups within a society. Theatres in particular have been able to share multiple cultures with the world for centuries. This alone is a huge part on globalisation because different parts of the world are able to experience different cultures through the form of theatrical performances, whether it would be through dance, acting, and music. I consider theatre to refer to all cultural forms in which performers and active or passive participant-audiences coexist in the same space for a set time (Knowles 2010: 3). During the Nara period, the Japanese, Chinese and Koreans exchanged performance traditions with each other, hence the bukagu court dance and gugaku, the Buddhist processional dance play, was eventually integrated with the Japanese culture. Western cultures did not intermix with the Asian cultures until American and European invasions in the late 19th century. Ric Knowles makes this point in his book Theatre Interculturalism: Beginning at the turn of the twentieth century and lasting almost a hundred years, the shingeki (new drama) movement saw a turn in Japan to Shakespeare, Ibsen, Chekhov, Stanislavski, and the performance styles of western naturalism and spoken drama. In the first decade of the twentieth century, in the wake of Chinas defeat in the Sino-Japanese war of 1894-5, a similar movement developed in China, largely through the conscious efforts of Li Xishuang and Tokyos Spring Willow society, and visits to the society by Chinese students who produced the first huaju (spoken drama) (Knowles 2010: 8-9). Much like the plays from Shakespeare, as mentioned before, it has come to a point where we have the ability to share knowledge easily around the world, and theatrical performances are also able to be shared with equal amount of ease. One of the most well known types of performances known to globalise are circuses. It is in their nature to be mobile and move from place to place entertaining audiences. This leads to globalization through culture, the interconnection of world cultures, perhaps even the development of a world culture' (Rebellato 2010: 5). The most world renowned circus to this day would be Cirque du Soleil. Originally named Les Échassiers, it was founded by two former street performers in 1984 in Baie-Saint-Paul. It is now a Canadian entertainment company based in Montrà ©al, Quebec, self-described as a dramatic mix of circus arts and street entertainment (Cirque du Soleil 2010). Cirque du Soleil has a wide variety of performances, all of which are an integration of circus styles from around the world with its own theme and storyline. They attract audiences through continuous live music, which allows the performance to be cross cultural because one doesnt have to understand the language in order to enjoy the performance, hence it appeals to everyone and they are able to expand to different cultures around the world. Cirque du Soleil does not only travel around the world, but they have also left permanent set ups in different parts of the world. Las Vegas, United States, has the most Cirque du Soleil performances in one area. Performances such as KÀ, LOVE, Mystà ¨re, O, Viva ELVIS, and Zumanity are performed to many new audiences because its in an area of visiting tourists from all around the world. ZED Cirque du Soleil is stationed in a theatre build specifically for this performance at Disney Resort in Tokyo, Japan, with seven million people watching this spectacular performance every year. Cirque du Soleil has been able to create and show many different performances, but it couldnt have been done without more than 600 of their performers. (Cirque du Soleil Inc. 2009) Hence, the interconnectedness of culture is shared amongst performers and audience alike all around the world. Though most of the casts of Cirque du Soleil are trained for this specialized art, there are also performers who were past Olympic participants from all around the world. Zoltan Supola, a gold medal gymnast who competed in the Olympic three times, retired in the year 2000 after the Sydney Games. He landed a job with Cirque du Soleil and became a part of the gravity-defying troupe of performers, which now incorporates a total of 17 former Olympians. Another example is gymnast, Paul Bowler, who performs in Mystà ¨re at the Treasure Island hotel in Las Vegas after failing to make it with the British Olympic team in 1996 (Martinez 2011). Performances themselves arent the only ones affected by globalisation, but the people who work within those performances as well. It is without a doubt that Cirque du Soleil is one of the most globalised theatrical performances to have spread from North America all the way to Asia. Singapore is known to be a global community with multiple cultures integrated in one city, and because of this, different kinds of theatrical acts dedicated to the different cultures and all cultures are continuously performed. Singapore is a perfect example of interculturalism in general and for theatres. With the amount of international theatrical performances arriving every few months and with the amount of audiences watching these performances, it is clear that Singapore has embraced the idea of interculturalism within their theatres. This is a country in which Western and Asian performances are accepted together and appeal to a large portion of the public, hence Singapores wish to be a global pin point, the Broadway of the East so to speak. As Kenneth Lyen states: Yes, Singapore can indeed be the Broadway of the East. We have several unique attributes. Firstly, there is a wealth of stories waiting to be told in the genre of musical theatre. We also have a fascinating variety of Asian music, with different rhythms and different instruments. Our talent pool is immense, and largely untapped. We have not reached the stage where musical theatre prohibitively expensive to stage (Lyen 2010). Aside from Singapore bringing in theatrical performances from other parts of the world, Singapore themselves are trying to globalise their own local theatre productions. It is obvious how much Western performances have influenced the local productions. By trying to maintain a unique theme to Singapore, the structure is very much of the western style. A good example of this is the musical, Forbidden City. Its Singapores most successful musical first commissioned for the opening of the Esplanade, now in its third run, greeted with interest by American investors whod like to adapt it for Broadway (Yi-Sheng 2010). By exploring the fusion of Western and Eastern styles, there is a possibility for Singaporean theatrical productions to become worldwide and achieve globalisation with their own culture and local acts. Theatre of the 21st century is affected by social standing and social status of the community, hence the design of theatres affect the peoples want and reason to attend a performance based on prestige. Theatre of Ancient Greece was an open air, semi-circular layout with only the use of a skene and costumes for visual distinction between characters and scenery (The Columbia Encyclopedia, Sixth Edition 2008). It was a place for the gathering of people to enjoy a performance by being taken to another dimension. The use of lighting was available only through natural lighting; hence performances were casually held during the daytime. The globalised theatre design of the 21st century however, is incorporated on the theatre experience influenced by the modern American stage design through the use of lighting, props, and moveable stage parts. With the discovery of lighting, theatres became enclosed and performances became a nightly event, which is gives off a more formal experience. Now it i s a place not only for people to gather and enjoy a performance, but also a place of prestige. Theatres in general have become a social marker. The concept of an exposed theatre within the new proposed design of the Victoria Theatre situated in Singapore is aimed to attract audiences through the act of interaction or communication with the general public and raise awareness of theatrical performances to help Singapore reach its goal of being the Broadway of the East. The use of an open-air theatre and an enclosed theatre together is to create two different experiences much like the casual experience of Ancient Greece and the more formal experience of the 21st century. With todays technology and interconnectedness, theatres has become a huge part of globalisation through the sharing of performances and performers around the world not only through the use of McTheatres, but also through the creation of fused cultural performances in order to reach out to a broader audience. Through Western influence, the design of theatres has created a social status through the theatre experience. Singapore, being a social marker and huge globalised community, has attracted theatrical performances from around the world in order to share the multiple cultures with its local audience, to become the next Broadway of the East, and to create their own theatrical performances as well, such as Forbidden City.

Perceiving a Comic Book Cinema in Ang Lees Hulk :: Movie Film Ang Lee Hulk Essays

Ang Lee's film Hulk (2003) is based on a character whose origins lie in the world of Marvel comic books. In both versions, Bruce Banner is a repressed and unassuming scientist who, as a result of an accident involving gamma radiation, transforms into a massive green engine of destruction, known as the Incredible Hulk, whenever he becomes angry. The Hulk is the rampaging male id, unleashed by modern science upon a world unprepared for its limitless, primal fury. But as interesting as a literary analysis of the character might be – and the Hulk is rife with such possibilities – this is not where Lee's Hulk breaks any new ground. Indeed, by such standards, it is a mundane – if not, actually, a rather awful – film. But what Lee's film does that is extraordinary is its attempt to, not simply adapt the content of the comic books, but in some way translate the experience and aesthetics of the comic books onto the movie screen. In doing so, he alters the condition s of the filmic apparatus enough to warrant further examination. However, the scene under examination in the textual analysis begins fairly conventionally. This scene is relatively early in the film, before the events that unleash the Hulk occur. Bruce Krenzler/Banner (Eric Bana) comes into the office he shares with colleague and ex-romantic interest Betty Ross (Jennifer Connely) at the nuclear biomedicine laboratory. Inside, he finds that Adam Talbot (Josh Lucas), a defence contractor who is one of the film's villains, has come to pay them a visit. Talbot's presence is understood to be intrusive, as he is placed in the centre of the frame, marginalising Bruce and Betty to the the periphery in their own office (shots 1c, 3, and 5a). Furthermore, Betty's over-the-shoulder look back to Bruce as he opens the door in shot 1c seems guilty. There is something of the caught-in-the-act to the staging of Bruce's entry to the office. This establishes the tension of a romantic triangle between the three characters, which never fully emerges as a plot point, but remains as a subtext throughout the portions of the film that deal with Talbot. Betty has to leave rather quickly to attend to some generic science (shot 5), but Talbot lingers a moment to have a "man to man" conversation with Bruce. There is some obvious tension between Talbot and Bruce as he makes overtures toward acquiring their research for military applications (and the ensuing financial benefit of selling the technology). Perceiving a Comic Book Cinema in Ang Lee's Hulk :: Movie Film Ang Lee Hulk Essays Ang Lee's film Hulk (2003) is based on a character whose origins lie in the world of Marvel comic books. In both versions, Bruce Banner is a repressed and unassuming scientist who, as a result of an accident involving gamma radiation, transforms into a massive green engine of destruction, known as the Incredible Hulk, whenever he becomes angry. The Hulk is the rampaging male id, unleashed by modern science upon a world unprepared for its limitless, primal fury. But as interesting as a literary analysis of the character might be – and the Hulk is rife with such possibilities – this is not where Lee's Hulk breaks any new ground. Indeed, by such standards, it is a mundane – if not, actually, a rather awful – film. But what Lee's film does that is extraordinary is its attempt to, not simply adapt the content of the comic books, but in some way translate the experience and aesthetics of the comic books onto the movie screen. In doing so, he alters the condition s of the filmic apparatus enough to warrant further examination. However, the scene under examination in the textual analysis begins fairly conventionally. This scene is relatively early in the film, before the events that unleash the Hulk occur. Bruce Krenzler/Banner (Eric Bana) comes into the office he shares with colleague and ex-romantic interest Betty Ross (Jennifer Connely) at the nuclear biomedicine laboratory. Inside, he finds that Adam Talbot (Josh Lucas), a defence contractor who is one of the film's villains, has come to pay them a visit. Talbot's presence is understood to be intrusive, as he is placed in the centre of the frame, marginalising Bruce and Betty to the the periphery in their own office (shots 1c, 3, and 5a). Furthermore, Betty's over-the-shoulder look back to Bruce as he opens the door in shot 1c seems guilty. There is something of the caught-in-the-act to the staging of Bruce's entry to the office. This establishes the tension of a romantic triangle between the three characters, which never fully emerges as a plot point, but remains as a subtext throughout the portions of the film that deal with Talbot. Betty has to leave rather quickly to attend to some generic science (shot 5), but Talbot lingers a moment to have a "man to man" conversation with Bruce. There is some obvious tension between Talbot and Bruce as he makes overtures toward acquiring their research for military applications (and the ensuing financial benefit of selling the technology).

Hiroshima and Nagasaki Day

Hiroshima Peace Day falls on August 6 and Nagasaki Peace Day on August 9. The two days to remind the world of the destruction that a war can wreck. According to estimates the bombs killed a large number of people – with the majority of the causalities having died from flash or flame burns. What happened? In 1945, the United States of America dropped two atomic bombs on the cities of Hiroshima and Nagasaki in Japan. On August 6, the nuclear weapon â€Å"Little Boy† was dropped on Hiroshima because it was a city of considerable military importance and contained Japan's Second Army Headquarters. It also was the communications centre and storage depot. On August 9, at 11:02 a. m. , at an altitude of 1,650 feet, Fat Man (right) exploded over Nagasaki. The yield of the explosion was later estimated at 21 kilotons, 40 percent greater than that of the Hiroshima bomb. Within the first two to four months of the bombings, the acute effects killed 90,000 – 166,000 people in Hiroshima and 60,000 – 80,000 in Nagasaki, with roughly half of the deaths in each city occurring on the first day. Six days after the detonation over Nagasaki, on August 15, Japan announced its surrender to the Allied Powers, signing the Instrument of Surrender on September 2, officially ending the Pacific War and therefore World War II. Germany had signed its Instrument of Surrender on May 7, ending the war in Europe. The bombings led, in part, to post-war Japan adopting Three Non-Nuclear Principles, forbidding the nation from nuclear armament.